Grey hair emerges from crowd as if from thin air
Extreme closeup, but no clear emotion - EVIL
POV shot, but shallow DOF means only focused on him - very self-centred man
Mid shots of people going about their airport business - we are reminded of the setting after a sequence of unrelated close-ups, just to ensure that we are still in the same place.
Bag swap! Dodgy dealings. Shot of bags on floor shows this.
Keep crosscutting between the two men - something is about to go down
Close up shots of taxi - takes a little while to actually realise what it is, and its onyl the colours that means we know that this is the same thing.
Motivated editing - we cut between taxi driver and taxi, meaning that we realise he is the taxi driver.
Montage of him getting ready to leave - we linger on the picture of the island, presumably a holiday location, as if this is very important to the man.
Already we have met 3 characters who seem as though they will be central to the plot. Also, we know motives for the taxi driver and have established that at least one of the others is a businessman. We are lead to believe that one of these characters is definitely going to get in the taxi at some point.
Who is the man standing on the scaffold? Bit of a Chekhov's gun here.
Bag swap! Dodgy dealings. Shot of bags on floor shows this.
Keep crosscutting between the two men - something is about to go down
Close up shots of taxi - takes a little while to actually realise what it is, and its onyl the colours that means we know that this is the same thing.
Motivated editing - we cut between taxi driver and taxi, meaning that we realise he is the taxi driver.
Montage of him getting ready to leave - we linger on the picture of the island, presumably a holiday location, as if this is very important to the man.
Already we have met 3 characters who seem as though they will be central to the plot. Also, we know motives for the taxi driver and have established that at least one of the others is a businessman. We are lead to believe that one of these characters is definitely going to get in the taxi at some point.
Who is the man standing on the scaffold? Bit of a Chekhov's gun here.
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