Showing posts with label Trailer Analysis. Show all posts
Showing posts with label Trailer Analysis. Show all posts

Friday, 8 September 2017

The Beguiled Trailer Analysis

Camera

  • Open with wide (and then close-up) shots of little girl in forest - a touch of 'little red riding hood'. Foreshadows something bad happening
  • Very very smooth movement throughout
  • Closes with the shot of a key turning in a door - symbolic


























Mise-en-Scene

  • Dust blowing through forest in opening shot is quite creepy
  • Girl's hair is plaited in a very childish way, showing her innocence and purity
  • Girl is picking mushrooms - foreshadowing his death by poisonous mushroom later in the film
  • Very soft lighting and largely warm but dim shots throughout show comfort of the house



























Editing

  • Begin with very slow editing
  • Cut to black and fade back in after finding man foreshadows how he will change their lives
  • After the peripeteia the editing speed becomes much faster, helped by the start of the inter titles
  • Ends in the traditional trailer style of title and then release date


Sound

  • Soundtrack begins with little girl's voice, singing. This is very eerie when matched with the dust blowing through the forest. Enhanced footsteps and diegetic sound make the audience think something is about to happen.
  • Speech is very soft and kind until the peripeteia - they are welcoming
  • After the peripeteia the music becomes very dramatic and there is less and less dialogue

Thursday, 31 August 2017

Inception Trailer Analysis

Camera
  • Almost every shot is very carefully framed. Lots of centre framed shots to portray DiCaprio as the main character.
  • Lots of camera movement. Lots of stabilised handheld camera.
Editing

  • Slow in act 1 despite lots of drama and effects - shows that in this world, that sort of thing is fairly normal.
  • Remains slow at the start of act 2 but speeds up rapidly and stays rapid for act 3 - this conforms to trailer conventions.

Mise-En-Scene

  • Anamorphic 2.35:1 aspect ratio creates a very cinematic feel
  • Contrasting colours - outside is brown but lots of inside shots (especially after act 1) are very blue. Inside shots with other people in are also yellow/brown.
  • Intertitles begin in act 2, essentially replacing the V/O as the narrative device.
  • A heavy emphasis on special effects throughout - this shows that the target audience of the film is not necessarily focussed so much on a good storyline but more a good cinema experience.
  • Ends with CGI city becoming title - reflects opening CGI city WB logo.

Sound

  • V/O narrates the trailer, but is dialogue as V/O. This helps to show the audience the story because it is otherwise not clear what it is
  • The music begins with a series of loud booms (apparently known as "The Inception 'BRAAAAM'). This is the first film to do this and has since been used dozens of times by similar films.
  • The music consists of low drones topped with dramatic, heavily rhythmic music. Violins build towards act 2.
  • Big boom ends act 1. 'I have to steal it' ends V/O.